This ongoing series embodies a quiet confrontation — a shift from cynicism toward contemplation. Emerging from earlier works of social critique, these graphite and charcoal installations explore perception, visibility, and the fragile threshold between illumination and erasure.

From a distance, the compositions appear as monochrome voids — echoing Malevich’s “Black Square” or Rothko’s dark canvases. Yet, as light moves across their surfaces, geometric constellations emerge: structures resembling blueprints, architectures, or celestial grids suspended in silence. This revelation, dependent on proximity and shifting light, transforms the viewer’s body into part of the composition itself.